In a chapter entitled "
When Electrolysis Proxies for the Existential," I do a number on Rita Hayworth, aka, Margarita Dolores Cansino, as I ponder the nexus of race, ethnicity, and celluloid at work in her biography. Elle Magazine recently did a fashion meditation on Rita's work in
Gilda; I am in debt to one of my
Naked Mirror students for bringing it to my attention:
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