
Click to enlarge! For more info, hit this earlier posting!!!
Sometime in the next 24 hours the 200,000th visitor to the Tex[t]-Mex Galleryblog will arrive here at this site! If you are that person and you know how to do a screengrab of the event, send that to me at memo@sdsu.edu and I will send you a cool literary surprise. If you are that person and you arrived here looking for hot latina mamas or blacks beach some other sort of search (quite common for my traffic), no worries! You can get a gift as well!

Truth be told, I have met so many cool readers/critics/lovers/haters of Tex[t]-Mex through Facebook (simulated fans opposite). So I have decided to open up my social networking site to readers of this blog. So, if you are a regular peruser of Facebook, don't be shy about sending a shoutout!
Thanks to LA correspondent Anabel Weekley for bringing this to my attention! Click the monja for the tale of the tape!
ORSON WELLES: THE ONE-MAN BAND is a fascinating glimpse at this extraordinary man's final years - made with the cooperation of Oja Kodar, Welles' longtime companion, to whom he bequeathed a wealth of unedited films and fragments when he died in 1985. Granted exclusive access to Welles' heretofore unseen archives - and drawing from almost two tons of film cans containing fragments, shorts, project ideas, and sketches - the filmmakers are led by Kodar through the rich but unfulfilled Welles legacy. Far from being the gloomy megalomaniac that Hollywood has sometimes branded him, Welles emerges here a protean creator, at times vulnerable and lonely, but always unshakeably optimistic and unfailingly innovative.