Showing posts sorted by relevance for query bandit. Sort by date Show all posts
Showing posts sorted by relevance for query bandit. Sort by date Show all posts

Saturday, January 26, 2008

Kurosawa's Rashomon and Martin Ritt's The Outrage: Of Samurais, Mexican Bandits, and Paul Newman in Brownface

Again, only a brief dispatch here to create a blog-placeholder for a rant on a film by Martin Ritt called The Outrage released in 1966. Ritt takes Kurosawa's classic film Rashoman and remakes it with Newman as a killing, raping, Mexican bandit. The synopsis from Turner Classic is priceless and deserves a place in a Seductive Hallucination Gallery of its own!

Late in the 19th century a disillusioned preacher, a grizzled prospector, and a cynical con man meet by chance at a southwestern railway station. The first two relate events in the recent trial of Juan Carrasco, the territory's most notorious outlaw, who has been sentenced to death for murdering a southern gentleman and raping his wife. The trial was confusing because three witnesses each told conflicting versions of what had occurred: Carrasco claimed that he bound the husband, forced him to watch the rape, and then killed the husband in a duel; the wife claimed that after Carrasco raped her and fled, she killed her husband in a fit of rage when he accused her of having encouraged the bandit; and an old Indian testified that the husband killed himself because of the humiliation he had suffered. After this last account a cry is heard, and the three men discover an abandoned baby. The con man attempts to steal some gold that has been left for the child, and an ensuing argument reveals that the prospector was also involved in the incident: he had witnessed the crime but did not testify because he had stolen the jeweled dagger from the dying man's chest. The prospector claims that the bandit showed remorse after the rape and begged his victim to come away with him, but fancying herself as a prize to be won, she shamed the two unwilling men into a fight over her, and her husband accidentally fell on the dagger. When the prospector offers to raise the child, even though he has five others at home, the preacher's faith in humanity is somewhat restored, and he is able to return to his congregation and the Lord's work.
Tex[t]-Mex's second edition may well have to be bigger than the OED!

Hombre, too, is due for Tex[t]-Mexian roasting as well! Well worth enduring the commercial that precedes the trailer to see Newman as a Native American.

Monday, October 03, 2011

The Remarkable Case of the Dapper Mexican Bandit

This new auction at Heritage has to feature the best dressed, nicest coiffed "Mexican" bandit in the history of Hollywood. Click the image to make it HUGE--click here for the auction.


Oops, update.... that MAY be a Mexican "agent"--the uncle of Mike Vargas from Touch of Evil?

Sunday, April 07, 2013

Mextasy and Tex[t]-Mex on the Road @ School of Visual Arts, NY | "Bandit, Succubus, Gigolo, Maid, & Fiend: 20th and 21st Century Latina/o Bodies in the Imagination of the Americas" | William Nericcio

Here's the promo:

Bandit, Succubus, Gigolo, Maid, & Fiend
20th and 21st Century Latina/o Bodies in the Imagination of the Americas


William A. Nericcio
University of Guelph, October 27, 2011 | Thursday


A brief multimedia presentation examining dominant trends in the representation of Latinas and Latinos in American popular culture. From Hollywood to Madison Avenue, specific and damaging visions of Latina/o subjectivity have infected the synapses of Americans, and Mexicans alike--these "ethnic mannequins" (Speedy Gonzales, Charo, the Frito Bandito, etc) come to dominate consciousness, leading to a renaissance on racialized hatred currently en vogue in the U.S. from New York to California, from Arizona to Georgia. If Lou Dobbs says that Mexicans are "diseased" and John McCain contends (with a straight) face the illegal immigrants are starting forest fires, and Rush Limbaugh tells his listeners to tell "Mexicans" to go back to their country, what is the result? Research would seem to suggest these collective efforts have led to a resurgence of anti-Latino hate and hate crimes at the very moment demographically that the lands of Uncle Sam are more decidedly Latino/a. 

The presentation will feature excerpts from Tex[t]-Mex, Eyegiene, the Tex[t]-Mex Galleryblog and art from Mextasy.



an early version of this presentation was delivered at the
University of Guelph a couple of years back...



Here are some image notes for the SVA presentation...





































more here


eyegiene piece on cristina rivera garza

 


izel vargas piece



 


Wednesday, December 09, 2015

Louisiana's TURBOSQUID!!!! Yesterday's Most Pathetic Stereotypes Reimagined for the Digital Age of All our Cyber Tomorrows or Need a Sexy Latina or Bandit for your Animated Video


One of the infamous original members of the Taco Shop Poets and co-conspirator (along with Carlos Solorio) on my Mextasy.TV desmadre, Miguel-Angel Soria seems to have nothing else to do but to send me massive amounts of cyber tidbits filled with thrilling stereotype updates from the world of television and film production.  There, nestled in their dens in Hollywood (and Louisiana), these maniacs are busy building the NEXT generation of hot Latina bombshells, the next iteration of Alfonso Bedoya's I-don't-need-no-steenken-badges Mexican bandit.   Go here or here or here for your morning dose of digitally fine-tuned ethnic mannequins or peek above and below!

I love the way the African American digimannequin may be conceived of as a sexy business woman with some professional edge, whilst the winsome Latina lass's only concrete ontological quality is her essential sexyness--no business chops required!  The company that produces these monstrosities is called Turbosquid, out of Louisiana--maybe ace pinhead Bobby Jindal is associated with these cyberdumb rascals

Ack!!!!

 



Wednesday, October 26, 2011

Mextasy and Tex[t]-Mex on the Road @ the University of Guelph, Ontario, Canada | "Bandit, Succubus, Gigolo, Maid, & Fiend: 20th and 21st Century Latina/o Bodies in the Imagination of the Americas"


click to make explode (or, at the very least, make big)...


Here's the promo:

Bandit, Succubus, Gigolo, Maid, & Fiend
20th and 21st Century Latina/o Bodies in the Imagination of the Americas


William A. Nericcio
University of Guelph, October 27, 2011 | Thursday


A brief multimedia presentation examining dominant trends in the representation of Latinas and Latinos in American popular culture--from Hollywood to Madison Avenue, specific and damaging visions of Latina/o subjectivity have infected the synapses of Canadians, Americans, and Mexicans alike--these "ethnic mannequins" (Speedy Gonzales, Charo, the Frito Bandito, etc) some to dominate consciousness, leading to the renaissance on racialized hatred currently en vogue in the U.S. from New York to California, from Arizona to Georgia. If Lou Dobbs says that Mexicans are "diseased" and John McCain contends (with a straight) face the illegal immigrants are starting forest fires, and Rush Limbaugh tells his listeners to tell "Mexicans" to go back to their country, what is the result? Research would seem to suggest these collective efforts have led to a resurgence of anti-Latino hate and hate crimes at the very moment demographically that the lands of Uncle Sam are more decidedly Latino/a. The presentation will feature excerpts from Tex[t]-Mex, Eyegiene, the Tex[t]-Mex Galleryblog and art from Mextasy.



another poster version, that does not steal
from the one and only robert frank appears next




The day after the Guelph gig, I am lecturing at the University of Western Ontario--a draft of the poster here follows...





Here are some notes for the GUELPH LECTURE...
































more here


eyegiene piece on cristina rivera garza

 


izel vargas piece



 


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