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Salma Hayek is a always a star here at the Textmex blog--while she remains the alluring embodiment of textmextian paradigms (the "Mexican" as always already floating signifier of sexual potentiality) she also puts the lie to this tired tale of female objectification by being a an active, engaged agent (co-conspirator) in her own spectacle-ization! Oh, and a fine mamá as well (cue image above of Hayek, with daughter Valentina. In any event, Cannes was abuzz this year as Hayek brought her newly produced film to town,
Khalil Gibran's The Prophet, an animated feature, full-length work featuring the voices of Hayek, Liam Neeson, and John Krasinski among others,
and the directing talents of Roger Allers, Gaëtan Brizzi, Paul Brizzi, Joan C. Gratz, Mohammed Saeed Harib, Tomm Moore, Nina Paley, Bill Plympton, Joann Sfar, and Michal Socha. Hayek's new project comes into the world from a woman with a mission--
defining her legacy as an international artist.
Here's an interview with Hayek courtesy of The Hollywood Reporter:
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