![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxgmvuyiNjxiQBlCB3EeZv1hvcHWjE_EBcS0rsug2H00dGsyZbJcMj7Z6bWGDiju1GJRwOVU2fZi-LVGTEinhBtwe3rUak-au1e7yGEKWWJvmU06LS5MfA36h_XjVgIXKihB7sAX7HVdM/s400/Picture+3.png)
here's a taste from Aldama's posting:
....we are still haunted by a rather slim portfolio of iconographic imagery in the cultural mainstream: the nagged-to-the-bone, ESL stuttering Ricky Ricardo's (Mike Alonzo), lascivious, comical arriba-arriba Speedy's (Jack Black in Frito-Bandito Brown face), blood thirsty savage, irrational man-child (Ernesto), the hypersexualized dark and dangerous (Soderbergh's casting of Benjamin Bratt as cartel kingpin, Juan Obregon, in Traffic), and the effeminate and/or psychopathic queer (the assassin, Francisco Flores, in Traffic); media conglomerates still get a lot of play out of those age-old stereotypes of Latinas as either child-bearing hipped virgins (America Ferrara as Betty Suarez), money-grubbing whores (Eva Longoria as Gabrielle Solis), or too-well fed mammy-types (De La Garza and Barraza as Amelia)....
No comments:
Post a Comment