Monday, September 26, 2022

tex(t)-mex to be featured on WRITE AMERICA … October 3, 2022

 I was so proud to be part of this outstanding series, Write America, now in its final installments -- check out the note on the end of the series, here, in a letter from the series founder Roger Rosenblatt:

"Dear Friends,
We’re going to bring Write America to a close at the end of January. That will make two full years, and some 90 episodes. We will not disappear, though. Thanks to Alice, Write America will retain an archive on You Tube, so our enthusiastic audiences will be able to retrieve episodes when they wish.
Speaking of thanks to Alice, have we not been blessed with the home she provided us? How lucky we are to be the guests of Byrd's Books, just the kind of small, selective, courageous book store we cherish. How lucky, too, to be hosted in every episode by Alice, whose sense of pace and substance has sustained all our readings and conversations. It’s been so good to have a first rate avid reader as our guide.
And Lindsay? When we started working together we came up with her title, executive producer, without having any knowledge of what an executive producer is. Well, now I know. Lindsay has defined the job as someone who manages to do everything, from keeping a complicated schedule of readings, to dealing graciously with every individual problem or question that has arisen, to keeping 135 writers happy –– an achievement worthy of Guinness. Before her, the record was no happy writers, ever. She has been to us as she is to poetry, a remarkable gift.
As for the rest of us, we did and are continuing to do what we could with Write America. If the country has ever been in worse shape –– in terms of living lies and whipping up hatreds –– I’ve never seen it. Whatever moral objections we voiced over the long years, we still felt we knew what country we were living in. Now, we haven’t a clue. Or if we know, the answer is dreadful.
So what can we do? That was the question that pushed Write America into being. One sighs realizing that we probably did very little. But we did something, simply by doing what we do. Virginia Woolf wrote of the shocks of the world making her a writer because she wanted to explain the shocks. We all do it, or we try –– attempting to find connections in chaos, and the useful in everything, perhaps especially in evil and destruction.
With Woolf, we believe that the world is a work of art, and we are parts of the work: “We are the words; we are the music; we are the thing itself.” Or we try to be. Writing allows us to inhabit the potential goodness of the world, the healing that occurs in desire if not in fact. And all writing is desire.
I have been honored to be in your company these nearly two years, indeed amazed. I never know what we’ll get at the outset of an episode. And at the end of all of them, I turn to my wife Ginny, and say, with characteristic elegance, “Holy shit!”
Thank you for doing this. We have something to be pleased with, both Write America and the potential value of our work. For better or worse, and for one another, we are the words; we are the music; we are the thing itself.
Love, R"
Buying books for your friends and loved ones for the holidays? Do me a favor and buy one from Byrd's Books, sponsors and hosts of Write America ... https://www.byrdsbooks.com
Below is a recording of the show that featured my writing along with Roger Rosenblatt reading from his forthcoming book with San Diego State University Press, "Cataract Blues."

Monday, June 20, 2022

The Director's Cut, Chico and the Man, Freddie Prinze, and the Sonic #Mextasy of Spanish-accented English in a Small Texas Bordertown

Nota bene: A shorter, edited version of this piece originally appeared 20 June 2022 as a 
part of the Kojak Your Enthusiasm series (#24) on 70s television by Josh Glenn 
and his crew of hermenauts on Hilobrow.com. 

What appears below is the full, "Director's Cut" version of the short essay. 

Gracias Josh for letting me play in your semiotic sandbox! 
See all my Hilobrow.com dispatches here.

Sunday, June 19, 2022

#Mextasy Sighting at the Cheech ūü§£

#mextasy at the Cheech Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum … gracias to UTRGV -...

Posted by William Nericcio on Sunday, June 19, 2022

Monday, June 06, 2022

That Time I Worked an an Illustrator for the Late Great OCWeekly! #mextasy #sketchwn

 

Illustrator for OC Weekly, back in the day! Check! ...All thanks going to journalist/scalawag Gustavo Arellano Miranda... gracias guapo! #mextasy + #sketchwn

Posted by William Nericcio on Monday, June 6, 2022

Sunday, April 24, 2022

Really Excited to Curate and Host a New Lecture Series at SDSU --> THE [MEXICAN-] AMERICAN REVOLUTION With Myriam Gurba and Alex Espinoza

 

Tuesday, April 19, 2022

LATINX TELEVISION Book Launch Panel Now Streaming Live on YouTube

 

 

Click the images below to read out-takes from my foreword for the collection-- or, still better,  pick up a copy here! https://amzn.to/3ryKD5e


Tuesday, March 29, 2022

Come Party With Us in San Antonio in October 2022 | AGLSP International Conference on the Riverwalk BiblioTECHa!!!

Are you like me? On edge a tad about travel, but also dying to get out and see your friends! If you are an academic, I...

Posted by William Nericcio on Monday, March 28, 2022

Wednesday, March 23, 2022

My Latest Publication! Woot! The Foreword to Fede Aldama's Latinx Fiesta of a Book ... LATINX TV!!!

Wow! I just received my contributor's copy of LATINX TV curated by Frederick Luis Aldama with a cast of amazingness --...

Posted by William Nericcio on Wednesday, March 23, 2022








 

Sunday, March 20, 2022

See you Monday Afternoon, March 21, 2022 For a Streaming Presentation on the Humanities, Publishing, and More!

What do you miss if you do not follow me on Twitter? Drunk monks! twitter.com/eyegiene/status/1505241694341533699 Hit...

Posted by William Nericcio on Saturday, March 19, 2022

Sunday, March 13, 2022

Staging Kafka

I finished teaching this book earlier this semester in my optical parables class at SDSU (eyegiene.sdsu.edu/2022/spring)...

Posted by William Nericcio on Sunday, March 13, 2022