Showing posts with label Tomas Riley. Show all posts
Showing posts with label Tomas Riley. Show all posts

Friday, May 02, 2008

Monday Morning! | Cinco de Mayo | 2008 @ Mesa College, San Diego

Source for my new logo! Scubamex, the wonderdog!
Here's the rest of the skinny on this cool early Monday Morning Cinco de Mayo gig at Mesa College with former TSP rat pack scribe Tommy Riley--but before that, and to my "friends" y carnales before they ask, NO, repeat NO, I am not pointing to my receding hairline in the promotional image here:
malcriados!

Here's an alternate pose! No worries Beltrán--vanity made me do it.

update!

Arellano, por supuesto, horning in on "our" Cinco de Mayo angle! Nice interview there guapo!

update 2!!


Riley and I will be selling and signing copies of our books right after the gig--drop by and give us a shout out!!!

update 3!!!

a map!


The details:

Join Mesa’s Chicana and Chicano Studies Department, San Diego Mesa College Humanities Institute and local publishing mavericks Calaca Press as they present two masters of the word for Cinco de Mayo 2008.

BARRIO BAROQUE: Rats, Rants, & Other Turf Wars of the Naked Tongue

A book discussion and spoken word performance featuring the literary talents of

SDSU Professor
William "Memo" Nericcio
Tex{t}-Mex: Seductive Hallucinations of the "Mexican" in America

and

Former Taco Shop Poet
Tomás Riley
mahcic: selected poems

Monday, May 5, 2008
9:30-11:30am

Room H-117/118
Mesa College
7250 Mesa College Drive
San Diego, CA 92111

FREE and open to the public!

Stereotype deconstructionist Nericcio and metaphor mixing poet Riley form a potent one-two punch of Chicano linguistic insight. By breaking down cultural barriers and building multicultural alliances through their writing these two wordbending marvels bring a much needed ray of light to the latin literary world. Calaca Press and Mesa College are thrilled to collaborate by bringing these two genre defying scribes to campus in what will be a truly entertaining presentation and performance.

Their books: Tex{t}-Mex: Seductive Hallucinations of the "Mexican" in America and mahcic: selected poems will be available for sale.

Praise for Nericcio and Riley:

"[Text-Mex] is the closest Latin@ studies has come to a revolutionary vision of how American culture works through its image machines, a vision that cuts through to the roots of the U.S. propaganda archive on Mexican, Tex-Mex, Latino, Chicano/a humanity. Nericcio exposes, deciphers, historicizes, and ’cuts-up’ the postcards, movies, captions, poems, and adverts that plaster dehumanization (he calls them ’miscegenated semantic oddities’) through our brains."

-- David Carrasco, Harvard University

"mahcic gets you open on Riley’s music. A poet who writes like a master DJ: scratching metaphor, mixing cultures and re-mixing themes until he infiltrates your consciousness and makes you recall the gloss before the glitter while warning you about the wind before the storm."

-- Willie Perdomo, author of Where a Nickel Costs a Dime

William Anthony Nericcio travels in various academic disguises, including American Lit scholar, Latin Americanist, Chicana/Chicano Studies devotee/vato, wannabe film studies guru, cultural studies maven, and, last but not least Laredense Tejano acolyte of deconstruction. His book Tex{t}-Mex: Seductive Hallucinations of the "Mexican" in America was published in 2007 by University of Texas Press.

Tomás Riley is a poet, writer, educator and a veteran of the seminal San Diego based Chicano spoken-word collective The Taco Shop Poets. His self-released CD Message From the New Forreal debuted in 2003 and his book mahcic: selected poems was published in 2005 by Calaca Press.

This event is organized by Calaca Press, the San Diego Mesa College Chicana and Chicano Studies Department and the San Diego Mesa College Humanities Institute. For more information (including parking) contact Manuel J. Veléz (619) 388-2375 or mvelez@sdccd.edu.

Funding has been provided by San Diego Mesa College Humanities Institute.

Saturday, March 08, 2008

Miguel Angel Soria and Tomas "Tommy" Riley: Xicanosmosis and the Taco Shop Poets


Tex[t]-Mex has two odd chapters that are called "Seductive Hallucination Galleries" in the book--these are largely blog-style dispatches profusely illustrated where I threw together findings that I could not sustain in a traditional book chapter. They are a sort of Island of Misfit Toys (in the best sense of the term as I am a closeted Rankin Bass Rudolph fetishist!) of gross stereotypes, photography, editorial cartoons, print ephemera, etc. Even Michael Jackson makes a cameo in one of the galleries and my sustained, loving bitch-slapping of Richard Rodriguez, who writes like a saint, and, until recently, thought like Lou Dobbs in brownface, also appears, revised, in these pages.

The last dispatch in the second gallery is penned by former Taco Shop Poet scribe Miguel Angel Soria and features a tale of lurid "Mexicans" subjecting the USD campus to the menacing horror of their "Mexican" ways--basically two Chicanos listening to the Clash in a car in a USD parking lot, reappear reimagined the next day's USD newspaper as a crime report. Soria quotes that fetid artifact of fishrap: "no crime has been reported, as yet." "As yet" as if the potentiality for criminality always already fueled the dimensions of American culture. Soria's dispatch is cool, criminally wicked, and nefariously deft. This Mexican American writer is, indeed, in the end, a felon--a felon of the pen with the mind of a seer!

All this as a preface to a posting of an outtake from a PBS Visiones documentary that features a segment on the Taco Shop Poets, Miguel Angel Soria, and my good friend Tommy Riley, et al, that recently showed up on YouTube. Like Oliver Mayer, Michelle Serros, Gilbert Hernandez, and Dulce Pinzón, their xicanosmotic work shows the cultural synesthasia of a Mexican/American, Mexican-American, and Mexican & American--not the same things--reality in metamorphosis.

Get your hands on one of my books ...