Showing posts with label Paul Muni. Show all posts
Showing posts with label Paul Muni. Show all posts

Tuesday, May 05, 2009

Cinco de Mayo Latina/o Film Festival on Turner Classic Movies All Day, and All Month

Hit the image to visit Ted Turner's priceless cable invention {more below the image}



In honor Cinco de Mayo, the Tex[t]-Mex Galleryblog is proud to host a streaming trailer of Paul Muni channeling Benito Juarez in MGM's riveting Juarez. Muni, of Bordertown fame, was Hollywood's go-to "Mexican" non-Mexican* in the 1930s:




Here's UCLA Chicano kingpin Chon Noriega on Muni--the connection to Lon Cheney, the man of a 1000 faces (only Anthony Quinn played more types/monsters is dead-on):

Guillén: Our of sheer curiosity then, let’s say that—out of the many performances where white actors play Latino characters—is there one you feel to be most accomplished?

Noriega: That’s an interesting question. Lou Diamond Phillips is often incorporated into the Latino character category and he’s a multi-ethnic multi-racial actor. He’s had several roles where he’s played a Latino character. There are some performances that are notable precisely for not being that believable. It’s interesting when you see the mainstream press say, “Well, this is not believable. We love the actor but no way is it convincing.” Historically, the performance I find most fascinating—not necessarily believable per se, but believable in the context of Lon Chaney—is Paul Muni in Bordertown. And also in Juarez, where he plays the Mexican president Benito Juarez. It’s a great performance though I don’t know how authentic it is in essence. But that’s not the question. It’s a fascinating example of somebody who—like Lon Chaney—made a career out of playing and trying effectively to play just about every type he could. {source}

*Paul Muni was born Meshilem Meier Weisenfreund on September 22, 1895) in Lemberg, Austria-Hungary (now known as Lviv, Ukraine). His parents were Jewish actors that immigrated to the United States in 1902. He started working on the stage at 12 years of age, when he was known by a Yiddish nickname Moonie, but didn’t make it to Broadway until he was nearly thirty.... {source}

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