Showing posts with label african american stereotypes. Show all posts
Showing posts with label african american stereotypes. Show all posts

Saturday, June 20, 2015

More Stereotypes than you can Shake a Stick at... Spicy Western Stories Covers via The Golden Age Blog


The curator at the Golden Age blog is a tireless servant to our compulsive appetite for garish stereotypes.  The latest entry, jump here, with tawdry Spicy Western Stories samples, has almost every flavor of ethnic criminality and swarthy viciousness that one might imagine--see sample above. 1937 was a particularly good year for scary "Mexican" covers with two, by H. J. Ward, that belong in the Tex[t]-Mex Stereotypes Hall of Fame.


Here are a couple more, from the Spicy-Adventure Stories line:



Saturday, July 06, 2013

Dispatches from Barcelona ¡Vale!

The Tex[t]-Mex Spanish tour

Friends, while spending some quality time in the original colonization land of Spain, I hope to find some Tex[t]-Mex- worthy materials. Today, in Barcelona, while stocking up with local products for our temporary apartment, we went into the French store Carrefour (think Target or Walmart) and this is where I found this chocolate bar:




Worth mentioning that the product pictured above is the "Chocolatina" version. They saved the non-latino representation for the other products.


Tuesday, April 02, 2013

Too Light to Be Called African-American

Another chapter from the Stereotype novela. How does one guess African American looks African American? Let Tim Graham, a conservative ‘Media Watchdog and erudite tweeter’, posit this question for you. He tweenks that newly appointed MSNBC, Karen Finney's skin is too light to be recognized as African-American.

Via Jezebel




  Original Story

Sunday, August 01, 2010

Read it. React to it. Ishmael Reed in Counterpunch on the Selling of PRECIOUS


Thanks to rising Chicano superstar and CalState Fullerton Chicana/o Studies chair, Alexandro Gradilla for the link via facebook.

Sunday, November 01, 2009

Bimbo's Negritos! Another Chapter in the History of Racialized Representation in the Americas...


Ace Boston-based Tex[t]-Mex Galleryblog detective (and sugary treats sampler) Daphne Strassmann writes in with a tip to a Guanabee post that muses (a wee-bit snarkily) about Bimbo breads of Mexico's odd little confection. Hit the product for the linkaso.

Here's a recent blog-based meditation on the same from theRoot.

Friday, October 02, 2009

The Remarkable Jim Crow Museum: A Macabre, Bracing Meditation on Race, Ethnicity, and Collecting in the Americas

As a collector and curator of real and digital artifacts, I have to give credit where credit is due--I just spent a sleepless hour wandering the virtual corridors of the Jim Crow online museum. Formidable stuff.

For anyone with an interest of the history of race and consumer culture in the U.S., it is a must-see, must-visit archive of horrors. Here's a taste from the curator, David Pilgrim's, essay "The Garbage Man: Why I Collect Racist Objects," about the time he visited a collector of African American tchotchkes:

If I live to be 100 I will never forget the feeling that I had when I saw her collection; it was sadness, a thick, cold sadness. There were hundreds, maybe thousands, of objects, side-by-side, on shelves that reached to the ceiling. All four walls were covered with some of the most racist objects imaginable. I owned some of the objects, others I had seen in Black Memorabilia price guides, and others were so rare I have not seen them since. I was stunned. Sadness. It was as if I could hear the pieces talking, yowling. Every conceivable distortion of black people, our people, was on display. It was a chamber of horrors. She did not talk. She stared at me; I stared at the objects. One was a life-sized wooden figure of a black man, grotesquely caricatured. It was a testament to the creative energy that often lurks behind racism. On her walls was a material record of all the hurt and harm done to Africans and their American descendants. I wanted to cry. It was at that moment that I decided to create a museum. source.
For the main site, hit the image here to your right.

Monday, August 24, 2009

Calling All Semioticians of Race, Ethnic Studies, and African American Studies


Though decidedly unsafe for work, the archives at wrongsideoftheart are decidedly useful for cultural studies mavens working on issues of race and representation; I am presently revising my Mandingo (1975) chapter for Eyegiene: Permutations of Subjectivity in the Televisual Age of Sex and Race and must have spent hours perusing the site's s/cinematic delights. Here's a brief bit of the chapter.

Thursday, July 30, 2009

KPFK's crack squad of sound engineers have already streamed and podcast this afternoon's show!

extra update, July 30th, 2009 @ 9:03pm--click the beer for the story



original posting, July 28, 2009; updated July 30, 2009.



It's me and Gustavo Arellano going toe to toe chatting/charlando on the untimely demise of Taco Bell spokesdog, Gidget, and, first up, the Henry Louis Gates debacle.

Go here to stream! here, to download. here, to podcast.

Here's a look at one of Gidget's more popular commercials:



update

here's an interesting email exchange between Gustavo Arellano, myself, and a well-researched listener! The beauty of radio: there is always someone out there listening that knows a little more than you do (that said, the Egyptian origin of Chihuahuas is a debate for another day!)
Date: Wed, 29 Jul 2009
Subject: Re: Success of the Taco Bell Chihuahua
From: "P. Sergio Serrato"
To: Bill Nericcio

The Taco Bell Chihuahua was not a terribly effective ad and is not ranked in the Ad Age 100 best Ad Campaigns of the 20th Century. The Taco Bell Chihuahua became a cultural icon but it did not increase Taco Bell's sales. In fact, it lead Taco Bell to fire its marketing head and the ad agency that produced the Chihuahua ads: TWBA/Chiat/Day. I work in market research and this is a constantly referenced case study. Ads should do more than raise awareness of what they are advertising, they MUST motivate action (purchase) of the product being advertised.

His earlier note to Arellano on the Gates arrest is also salient and cogent:

From: P. Sergio Serrato
Sent: Tue 7/28/2009 4:23 PM
To: memo@sdsu.edu; Gustavo Arellano
Subject: Libertarian quote on the Gates/cop issue

Gentlemen,

I am listening to your conversation on KPFK.org and Gustavo mentioned a Libertarian point of view on the Gates/cop issue. One of my libertarian associates posted an interesting perspective on the issue:

Race is irrelevant. A cop has no right to arrest people for being rude. The cop was an intruder. The urge to defend police for their criminality will always render the rightwing completely unable to understand and defend liberty. best,

P.

Wednesday, May 06, 2009

Mandingo

If you are going to study the history of race and film in America, you are going to have to get up close and personal with Mandingo--I taught it in a seminar a couple of years ago and will return to it again in Spring 2010. Onion's AV Club riff on the film is worth re-reading.

This particular scene, wherein a plantation wife, Susan George as Blanche Maxwell, metes out punishment to a slave, Ellen (Brenda Sykes) who has consorted with her white husband, Perry King as Hammond Maxwell, is excruciating to watch but essential to ponder!

Monday, October 20, 2008

Yet Another Forgotten Chapter in the History of Race Representation in America!


Wow! Blaxploitation meets the Western, and Hollywood history is made; and now, for a "treat," a clip from Boss Nigger, a 1975 cinematic masterpiece written and produced by and starring Fred Williamson:

Get your hands on one of my books ...