
Showing posts with label Chris Ware. Show all posts
Showing posts with label Chris Ware. Show all posts
Saturday, September 04, 2010
Remarkable Posting of the Imp! On Chris Ware, Mexican Pulp Fiction Comics and More!
Labels:
boing,
boingboing.net,
Chris Ware,
comics,
daniel raeburn,
Mexican comics,
pulp fiction comic
Tuesday, October 27, 2009
Eyegiene: This American Life by Chris Ware | Camera as Virus
Labels:
Chris Ware,
eyegiene
Thursday, March 22, 2007
Chris Ware, Cameras, and the Psyche

Just a quick link to the Obscene Machine Blog, where Chris Ware shows what happens when cameras start messing with the psyche! The Tex[t]-Mex project is nothing more and nothing less than a sustained (some might say obsessed) interrogation of what happens when words and images are simultaneously deployed in the interest of telling a story--in the case of this book, the "seductive hallucinations" and ethnic mannequins that pass for "Mexicans" in America. What one gets is a semantic, semiotic, ontological ménage-à-trois that tests the wits of all--as if the various and sundry superpowers of a literary critic, art historian, visual theory maven, and existentialist philosopher had to be brought to bear in an instant (someone call a psychoanalyst quick!). Ware's work calls our attention as it is an example of an art that forces our aforementioned mix of simultaneously deployed critical methodologies and it advances said quad-cluster of skills at the same time--imagine a cocktail of Remedios Varos [2] and Jacques Derrida, some odd cloned fusion or Man Ray and Roland Barthes and you begin to, wait for it.... , get the picture. These issues are at the heart of, or, to hone the metaphor, infect the retina of Eyegiene--my follow-up book to Tex[t]-Mex.
Labels:
art history,
Chris Ware,
eyegiene,
Jacques Derrida,
Man Ray,
Remedios Varo,
Roland Barthes,
semiotics,
Visual Culture
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