Thursday, October 21, 2021

Halloween, Just Around the Corner! More "Mexican" Costumes for the Bandit Lover in Thee!

original posting: 8/26/09 6:05 AM



Thank to Simi Valley-based, sage editor John Paul Gutierrez for the original link in the original posting from 2009. Above, a 2021-22 version of the same. Readers of the Textmex Galleryblog know we are dedicated to channeling the evolution of stereotypes from Analog to Televisual to Streaming Digital. This is just one more chapter in the evolving story.




Did you drop onto this page looking for general Halloween fun? 
Be sure to check out one of our groovy sponsors line of products here!

Monday, October 04, 2021

Thursday, September 23, 2021

Follow #Textmex #Mextasy etc on Twitter! Our Latest Dispatch!





 

Saturday, September 18, 2021

Monday, August 23, 2021

Our Covid-Era Critical Anthology is Alive and Out in the Wild: CULTURAL STUDIES IN THE DIGITAL AGE !!!

Saturday, August 14, 2021

A Shoutout and Abrazo to Latinx Spaces for Reposting this #BrownTV Interview!!! #mextasy

Tuesday, August 03, 2021

Jim Brown, Raquel Welch (Jo Raquel Tejada), and the History of Interracial Love in American Cinema -- a #textmex #mextasy repost!

Originally published: Feb 25, 2009 | Updated August 4, 2021




Almost on a daily basis, I am made aware of the number of research lapses that took place as I brought Tex[t]-Mex to print! 

My biggest mistake? Not devoting a chapter to 100 Rifles starring Jim Brown, Raquel Tejada (aka SDSU's biggest alumnus {who did not graduate}, aka Raquel Welch), and Burt Reynolds (as "Yaqui Joe, an Indian who robs a bank in order to buy guns for his people who are being savagely repressed by the government.")!

Surprisingly, in 1969, even Roger Ebert couldn't break into a sweat over this opus, directed by Tom Gries. I will try to include a significant chapter on this magnum opus in Eyegiene, currently in preparation for the University of Texas Press. In the meantime, students of stereotypes and feminist studies mavens, might enjoy this clip off of the Daily Motion, culled/edited/recut from the film.

click the image above to be transported to the Daily Motion site

Here's the full trailer:

 

 And, most importantly for students of Ethnic American studies, the heralded "interracial" 
love scene between Welch and Jim Brown--note how YouTube entices you by making you 
leave this site to see the erotic fireworks!

Wednesday, July 14, 2021

Friday, July 02, 2021

John Baldessari via Mark Dery via Austin Kleon ... Art, Teaching, and More

Thursday, June 17, 2021

#Repost || Aunt Jemima and Friends Hit the Road or Another Chapter in the History of American Stereotypes


I posted this on my Facebook page a year ago, but it merits reposting here on the Textmex Galleryblog owing to its connection to my book:

Wow! A magic moment in the semiotic history of the Americas as Aunt Jemima, Uncle Ben, and the Cream of Wheat Porter face extinction!

Aunt Jemima

https://www.adweek.com/brand-marketing/after-131-years-pepsico-is-dropping-aunt-jemima/

Uncle Ben

https://www.adweek.com/agencies/uncle-bens-to-change-visual-brand-identity-following-aunt-jemima-news/

Cream of Wheat porter, next?

https://www.adweek.com/brand-marketing/these-brands-are-still-tapping-into-nostalgia-for-slavery-whether-you-realize-it-or-not/

Here also, is page #142 from Tex[t]-Mex: Seductive Hallucination of the "Mexican" in America--where the connection between Jemima and other Ethnic American superstars (I am talking about you, Speedy!) get their day in the sun.

click to enlarge 


More on Tex[t]-Mex: Seductive Hallucination of the "Mexican" in America here: https://amzn.to/37mboym



Monday, June 07, 2021

More #BrownTV Fun!

Saturday, June 05, 2021

My Fall 2021 Graphic Narrative Class, "Psychedelic Images," at SDSU, Featuring Some #Textmex New Favorites! Works by Emil Ferris and Matt de la Peña

If you know SDSU freshmen or sophomores presently registering for classes for Fall 2021, do me a favor and push their eye to my English 157 Comics and History class! My take on the class taught also by the History Department? Something I am calling Psychedelic Images! more info here

Original posting to image below, here!

#sdsupsychedelicimages

Monday, May 03, 2021

Carolina Miranda on the Oscars in the LA Times and More ...

Calling All Hosts! Calling All Hosts! New Purveyors of the Mextasy Traveling Circus of Desmadres (Rasquache, Inc) Being Pursued!

Thursday, April 29, 2021

What is Mextasy!? An Introduction to the Pop-Up "Circus of Desmadres" -- A Traveling Exhibition Coming Soon to a Gallery, Museum, or University Near You!

Updated October 21, 2020 | Last updated April 30, 2021



Mextasy: Seductive Hallucinations of Latina/o Mannequins Prowling the American Unconscious is a traveling pop-up or gallery-based art show/exhibit based on the work of William "Memo" Nericcio and Guillermo Nericcio García. The traveling exhibition was originally curated by Leticia Gómez Franco for Casa Familiar, San Ysidro, California, and Rachel Freyman Brown, South Texas College, McAllen, Texas. Upcoming shows are UC Riverside (virtual via Zoom, thx Covid!) and the University of Detroit, Mercy (eventually). Recent exhibitions include shows at Iowa State University and the Nepantla Cultural Arts Center, Seattle, Washington--other noteworthy gigs include performances at Northwestern University, Wabash College, California State University, San Bernardino, and Franklin & Marshall College.

Mextasy both reflects on and expands upon Nericcio's 2007 American Library Association award-winning book with UT Press, Tex[t]-Mex: Seductive Hallucinations of the Mexican in America. In addition to racist artifacts from American mass culture (the bread and butter of Uncle Sam's unconscious and the backstory for the resurgence in anti-Mexican, anti-Latina/o peoples presently), the show also features works that is "xicanosmotic," that is, works by Mexican-American artists where the delicious fusion of the Mexican/US borderlands/frontera is writ large as in the deliriously delicious artistic tracings of Raul Gonzalez IIIPerry Vasquez, Rafaella Suarez, and Izel Vargas.

Visitors to this page interested in having MEXTASY invade their local gallery/university of choice should contact us here.

Saturday, April 03, 2021

Thursday, April 8, 2021 || Live-streamed Public Lecture by Fede Aldama and Memo Nericcio || Talking #BrownTV

Friday, March 26, 2021

Forgotten Latina Bombshells: Jo Raquel Tejada, aka Raquel Welch

Original Posting, January 18. 2008 | UPDATED March 27, 2021

There were a lot of sins committed in the production of Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in Amerca--sins of omission! One of the biggest screwups of the first edition (2007, UTPress) is leaving out a discussion Raquel Welch, San Diego State alum and former La Jollan, who, for some, made the late 20th century worth living. The wikipedia bio on Welch, né Jo Raquel Tejada, is Mormon-like in its details:
Welch, oldest of three children, was born Jo Raquel Tejada in Chicago, Illinois, the daughter of Josepha Sarah (née Hall) and Armando Carlos Tejada Urquizo.[1] Her father, who immigrated from La Paz, Bolivia, was an aerospace engineer of Spanish-Castilian descent[2]; her mother was an Irish-American.[3] Welch is a relative of the only female president of Bolivia,
original posting: 11/25/09
repost: September 21, 2011

Lydia Gueiler Tejada.[citation needed] In 1942, Armando Tejada was transferred to San Diego, California. The family moved to the suburb of La Jolla, where Welch grew up. She took dancing lessons as a child, and was winning beauty pageants by the time she was a teenager. Among her titles were "Miss Photogenic," "Miss La Jolla," "Miss Contour," and "Miss San Diego." In 1957, she was named "Miss Fairest of the Fair" at the San Diego County Fair. After attending La Jolla High School, she entered San Diego State College on a theater arts scholarship. The following year she married a high school sweetheart, James Welch.
Welch became synonymous with televised and cinematic sexuality about the time my voice began to change and hair started sprouting on my upper lip--so needless to say she plays a role in my development. But she also plays a dynamic role in the evolution of the Latina bombshell, injecting a Vietnam era openness and power that changed the trope forever. More on this soon.


Here is a boingboing.net find of Welch in a groovy dance sequence from a 1970s television special, "Raquel Welch." According the Welchi/cinephile who posted it on YouTube, Ms. Tejada's in Mexico, dancing in front of the "Ruta de la Amistad public sculpture project at the 1968 Olympics in Mexico City."




Mireya Navarro's 2002 NY Times piece on Tejada/Welch covers most of the angles on this tale in the back history of the uncloseting of Latinas in Hollywood:

June 11, 2002
Raquel Welch Is Reinvented As a Latina; A Familiar Actress Now Boasts Her Heritage

By MIREYA NAVARRO
On ''American Family,'' the PBS television series about a Mexican-American family in East Los Angeles, now in its first season, Aunt Dora is the drama queen of the family, a passionate, romantic woman who might have become a Hollywood star had she vigorously pursued her acting career. The actress playing Aunt Dora is Raquel Welch, who infuses the role with her familiar sultriness and smoky voice.

Nevertheless the sight of Ms. Welch in that role might bewilder some fans who remember her best for films like ''Fantastic Voyage,'' ''One Million Years B.C.,'' ''Kansas City Bomber'' and ''The Four Musketeers,'' as ''Woman of the Year'' on Broadway and in nightclub acts in Las Vegas. Dora, you see, is a Latina, a title Ms. Welch herself is claiming for the first time after nearly 40 years in show business.

''I'm happy to acknowledge it and it's long overdue and it's very welcome,'' she said in a recent interview at the Watergate Hotel in Washington. ''There's been kind of an empty place here in my heart and also in my work for a long, long time.''

Jo-Raquel Tejada, born in Chicago of a Bolivian father and an American mother, is taking to her heritage with gusto. Not only is she playing Dora as well as the film role of Hortensia in the 2001 romantic farce ''Tortilla Soup,'' she is also strutting her ethnicity in events like the American Latino Media Arts Awards and other public appearances.

''Latinos are here to stay,'' she told her audience at a National Press Club luncheon last month. ''As citizen Raquel, I'm proud to be Latina.''

As both citizen Raquel and Raquel Welch, sex symbol and pinup girl, Ms. Welch has bridged two eras. She has worked in the Hollywood that made her a blonde and tried to take away her first name as well as in the Hollywood that now considers Latinos hip and pays Jennifer Lopez up to $12 million a picture.

Ms. Welch grew up with a father who tried to assimilate at all costs, even banning Spanish at home. But now, at 61, she is riding the wave of new Latino generations that flaunt their ethnic pride and behave with the confidence of a major demographic force. [more]

Lastly, Raquel Welch also, like Rita Hayworth, (see OldSchool Tex[t]-Mex Galleryblog entry for January 17, 2007) has a gnarly and gnarled connection with hair!



update, 11/25/09

Here's Raquel in her screen debut, Robert Sparr's A Swingin' Summer (1965)


Friday, March 05, 2021

Digital Chicanx Cyborg in the House ...

When I am not out shilling my #mextasy wares I am a professor at SDSU--one of my gigs there? Lead faculty for the Digital Humanities Initiative ... here's the gang: a great group of colleagues and friends:

Sunday, February 28, 2021

All Hail the Lorax, Rita Hayworth, MLK, and more ...

The full picture as Zuckerberg's cropping-mania 
mangles the background of the photo:



Monday, February 22, 2021

French Based #Mextasy for TALKING #BrownTV by Memo Nericcio and Fede Aldama !!! c/s

Tuesday, February 09, 2021

#BrownTV in the News!

 

Friday, January 15, 2021

Celebrating its One Year Anniversary Out in the Wild! Talking #BrownTV by Frederick Luis Aldama and William "Memo" Nericcio | From the Ohio State University Press

Friday, January 01, 2021

The Tijuana Story == Classic #textmex Cinema from 1957


 

Thanks to Marisela Norte, our Chicana Virgil of LA mass transit whose Facebook page tipped my eyes to the magic of THE TIJUANA STORY -- a true story dramatized and mextified via Hollywood. Watch it here: https://trailers.to/fa/movie/557116/the-tijuana-story-1957#watch-now

The lobby card photos are outstanding--here are some I found on the internets!









Get your hands on one of my books ...