The first iteration of this post appeared on March 31, 2007
FOURTH UPDATEVictory! If the LA TIMES server bars entry, there's a permalink image of the story floating there above these lines.
THIRD UPDATEAlternet chips in its two-cents worth on the story.
SECOND UPDATELalo Alcaraz lets his views be known on the Ken Burns versus Mexican American Vets controversy
FIRST UPDATEThe San Diego Union Tribune has weighed in with a story that focuses on the work being done by my retired colleague and veteran, Gus Chavez, on behalf of all erased Mexican American soldiers.
ORIGINAL POST 3/20/07
The shit is just starting to hit the fan over PBS-Fellini Ken Burn's documentary on World War II and his slight, tiny, little, unimportant (irony!) error in not including ANY narratives regarding the service and the casualties of Mexican Americans in the "Big One." My father, Mexican American
guapo, William Severino Nericcio was in on the second wave at Omaha Beach in Normandy during the D-Day invasion of the continent. He was a mortarman serving as part of the "Blue and Gray,"
the 29th Division; in the days and weeks that followed he was wounded twice and received two purple hearts (in one of these attacks in France a couple of days after the invasion, he was chased by a Panzer tank hiding in a field and took serious shrapnel wounds to his shoulder and thighs). I include his photo here of my father, circa 1941, in tribute to his bravery and as a tiny semiotic rejoinder to the Chicano-less myopia of Cyclops Ken Burns.
Other good posts on this PBSelision of Chicanos appear
here and
here.
Final Postscript
My Father, William Nericcio, died at the age of 86 last Saturday, April 21, 2007. RIP. Here is the text from my eulogy:
Two very beautiful things happened to me in the last few months—I published my first book and I was elected the Chair of the English Department at San Diego State University. One of them my father knew about as best he could, the other I did not get the chance to tell him.
A World War II hero and survivor, he was locked in war he could not win, struggling as he did against that monster disease Alzheimer’s, which, in its own way is as formidable a monster as Cancer, or even more a monster, owing to its insidious logic—…
Alzheimer’s takes your loved ones away from you but leaves them behind in body to haunt you with the memory of what they once were—it’s Daddy, but it’s not Daddy; it’s my father, but it’s also, oddly not my father, nothing like my father, the imposter of my father.
For Alzheimer’s attacks memory and if there is anything my father could do, it was remember—he remembered every address in the city of Laredo as a postal clerk; he remembered every moment of his work and suffering in France and Germany and then decided to wall that memory of World War II inside him forever, lest the cancer of the memory of that violence infect his family in Laredo and now, his children’s families in San Diego, California; Los Angeles, California; Austin, Texas; and Laredo, Texas.
So Alzheimer’s attacked this formidable memory, this superpower that he had, and in doing so, erased the memories of fetid war, erased some memories he had of Laredo, of 1609 Hendricks, even, at times, of his children and wife, but even this formidable monster was NEVER able to erase his memory of his beloved mother Anna, his beloved grandfather, Papa Pancho, Francisco Juarez, nor of his Grandmother, the Matriarch, Mama Carlota who lived on forever in his imagination as the beloved benefactor of himself and his brother Frank, and of Anna, his mother, my grandmother, to whom I owe the debt of reading.
So he knew about my book and I will not have had the chance to tell him about being elected English Chair.
Both things happen only because of his work and his love—the work, love, and sacrifice as well of Trinidad Nericcio, my mother, and my father’s companion for better and for worse for over half a century. William Nericcio, my father, worked overtime every week of his life for the U.S. Postal Service—because of this sacrifice Josie, and Mary Anne and I have 8 University Degrees between us—Mary Anne holds a BA, MA, and PhD from the University of Texas; Josie has TWO BA degress from the University of Texas in Advertising and Film, and you might have seen her name recently in the credits of a little film called Dreamgirls. And I have a BA from the University of Texas and a MA and PHD from Cornell University from upstate New York.
None of this happens without Daddy’s work, his wit, his vision, his love for education, for knowledge, for comedy, for everything. His was a voracious but unselfish drive for knowledge—because he lived content to travel the world through the achievements of his children.
In a few minutes we will bury our father, our cousin, our grandfather, our co-worker, our beloved, our friend, but we can honor this amazing man, my father, and defy Death, that rogue fiend, by never allowing the soil to erase, never allowing the days and weeks that follow to eliminate the living memory of this beautiful man, this loving, emotional father, my Daddy, to whom I owe my life and for whom I speak today, Tuesday, April 24, 2007.
![The Tex[t]-Mex Galleryblog](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_KqWRy3aDsokE_MKZPvSky0JCY5DtTUqNZ1YcuqLN4LzX6kUbISADnHe9CR8IEBlhVVcnUnXMjc1EY54oLPx-aOoWF_VdXOokJ2Y2smvV1WCxEu2TZguczGSloiFnkz4iQ_SkIi56dw/s1600/111Screen+shot+2014-04-01+at+10.jpg)
This image appeared this morning from KNBC.
SoCal's own loco mouthpiece, Gustavo Arellano, holds forth in an interview with daring and dashing Chicano scribe Daniel Olivas at labloga.blogspot.com 
You know a "Mexican" stereotype hall of fame star is ready for his closeup again when he starts making appearances in celebrity blogs more famous for upskirt shots of Britney Spears, Mischa Barton, Lindsay Lohan, and Paris Hilton. And so it is that the star of chapter three of Tex[t]-Mex now finds himself on the front page of the unfortunately-named, if not utterly repugnant, Hollywood Tuna posing with Kristin Cavallari.
Someone whose probing eye riffs with the rasquache vibe (think Jacques Derrida in Cantínflas-drag) of the Tex[t]-Mex project, is Gustavo Arellano, a Swift-like Chicano satirist whose work appears in the OC Weekly and whose new book ASK A MEXICAN is just out and selling like hot tortillas on a cold Mexico City morning. Or maybe, to be totally honest, it is Tex[t]-Mex that aspires to match the funny and dead-on indictments, disclosures, jokes, political jabs and nasty revelations that make his Ask-a-Mexican column the hit it is! Nestled in the heart of Gringolandia, dodging the jibes and punches of Southern California anti-Mexican voodoo (as close as you can get to a national pastime in SoCal), Arellano's virulent semantics are enough to make a Califas skinhead pee his pants. Arellano's bon mots have come to key parts of my crusade against seductive hallucinations of "Mexicans" in America. 
Second, we turn to Cantinflas, born Mario Moreno Reyes (1911-93), and not just by the way, had a father who worked in the post office; so did I. Food for thought for Pynchon-styled conspiracy theorists! 
