Sunday, May 13, 2007

Strangers No Longer | The Perfect Exposure Gallery


The very same day a Virgin Airlines 747 drops me on the tarmac for two months of fun and academics in jolly old London, a gallery in Los Angeles is going to open its cool new exhibit on the Immigration Rallies of 2006. My half-brother Guillermo Nericcio García even contributed a poem for the event that you can see there lurking to your left. Here's the press release for the LA event:

The Perfect Exposure Gallery presents Strangers No Longer, a photographic account of the immigration rallies that took place throughout the United States in the spring of 2006. The rallies, which brought together people from all walks of life and many diverse cultures, shone a spotlight on the country's broken immigration system and called on our nation's leaders to prioritize addressing this urgent issue. To commemorate the first anniversary of this historic event, The Perfect Exposure Gallery would like to share these bold images with the world, to help keep the dream alive and at the forefront of civic consciousness.

About the Photographers
J. Emilio Flores, Javier Manzano, Javier Bautista, Adrian Sanchez-Gonzalez and Armando Arorizo are accomplished photojournalists whose works are published in: The Los Angeles Times, The New York Times, La Opinion, Hoy, Agencia EFE, and numerous magazines will collaborate in this exhibit.


Curated by
Aurelio Jose Barrera, Adolfo Guzman Lopez, Angelica Salas and Armando Arorizo

Opening Reception: Thursday, May 24, 2007 5-9pm
at The Perfect Exposure Gallery
3519 West Sixth Street
Los Angeles, CA 90020
Located in the historic Chapman Park Studio Building
Between Alexandria and Normandie

Gallery Hours: Tuesday - Friday
11am - 5pm
Saturday
11am - 4pm
Monday - Closed



Here are San Diego's B-Side Players with their own gifted take on this early 21st century reality:

Friday, May 11, 2007

"Tex[t]-Mex: Seductive Hallucination of the "Mexican" in America" Invades Latin America!


Enlace, the Spanish-language supplement to The San Diego Union Tribune ("Where Right is Right"), has just come out with a feature on Tex[t]-Mex. Couple this story with my recent appearance on Despierta San Diego on our local Univision affiliate, and my humble attempts to rechart the cultural space of the Americas proceeds apace!

Thursday, May 10, 2007

Edward James Olmos, The Man with a Broom and Soul


LAWeekly's got a nice profile of Chicano wunderkind Edward James Olmos.

When I get interviewed for Tex[t]-Mex, I invariably get asked to hold forth on the state of the nation when it comes to Latina/o stereotypes--what's in the cards for the 21st century "ethnic mannequins" in Hollywood.

With activist/artists like Eddie J, the future looks bright, with something like hope breaking out over the horizon.

Tuesday, May 08, 2007

The Legacies of XicanOSMOSIS and Latina/o Eyegiene

There is a certain schizophrenic aesthetic afoot amidst the pages of Tex[t]-Mex. While the book attends to the evolution of certain semantic traces--the way "Mexicans" figure as a kind of shorthand for sexuality in American pop culture--it is also very much focused on semiotic tendencies and aberrations: in particular, visual monstrosities or "ethnic mannequins" that pass for Mexicans in U.S. mass culture. The last movements of the book identify a process of xicanOSMOSIS found at the semiotic/semantic crossroads, the word/image verge of Mexico and the U.S.--the term, a hard-wrought, annoying-for-some neologism, fuses the dna of Osmosis, from the biological sciences, with Xicano/a, a purposed, agit-prop, spelling-supplementation holdover from the 1970s Chicana/o movimiento.



XicanOSMOSIS is not hard to grasp; in the book, I use it as a description for characterizing what happens when the visual and literary cultures of Mexico and U.S. fuse in the melting pot of the Americas--Gilbert Hernandez's rendition of the life of Frida Kahlo is the example foregrounded in the book.

All this preamble to direct you to the amazing archival/aesthetic work of Enrique Soto Eguibar from Mexico. His site, at zonezero.com, is well worth the price (free!) of admission. Soto Eguibar's eye, fitted with an almost steroid-infused sense of irony chronicles a flaneur's take on the streets of Mexico and combines it with an artist photographer's gifts of composition.

My favorite!?



Rough Translation: "Only MY chicharones (fried pork rinds) will make a sound around here" which can be rendered as "the buck stops here" or "I rule this roost!"

Naked "Mexicans" | Spencer Tunick


If you are seeking to denude your stereotype-laden synapses with some new vision of Mexico and Mexicans, then look no farther than the semiotically innovative, clothes-eschewing eye of Spencer Tunick--a man whose penchant for nude mobs knows no bounds! Tunick's site is here.

What color are you?


UPDATE

A video of the event has now surfaced!

Monday, May 07, 2007

David Segal, Uncle Ben, Aunt Jemima, and the Evolution of Stereotypes



Washington Post and Slate reporter David Segal has an amazing meditation on stereotypes that appears at Slate.com and NPR. Of particular note given their cameos in Tex[t]-Mex, are his findings on the recent doings of Aunt Jemima and Uncle Ben.



Particularly bothersome among Segal's gallery of seductive hallucinations? A Mexican bandito in need of, hold for it, deodorant!!!!! Holy dirty "Mexicans," Batman!



My thanx to publicity maven Allison Dolan for bringing this story to my greedy eyes!

Sunday, May 06, 2007

Stylistic Varnish? Or, the Future of Information Culture?




With a massive tip of the sombrero to the folks at drawn.ca for the headsup on this curious, dynamic, and diverting youtube video.

Thursday, May 03, 2007

Lalo Alcaraz | Arch Irony | Chicano Voltaire



Just brilliant.

de Sade's Uniformed Children Run Amok in California


I am on record as seeing a long-tradition of an almost-erotic affection in California--an affection, not to say fetish, for beating the living daylights out of Mexicans and Mexican Americans. What happened in Los Angeles over the weekend merely underscores the salience of this, what's the word?, hm, ritual.

More here.

This image appeared this morning from KNBC.

Wednesday, May 02, 2007

Bizarre "White" Stereotypes

As perplexed and obsessed by "Mexican" stereotypes as this Galleryblog purports to be, it must also confess to its growing numbers of readers that it is as consumed by "white" figuration as it is by "brown"--the semiotic and lyric evocativeness of the Caucasian then, seduces ours eyes as well as the epidermal intrigues of a swarthier sort. Case in point, the marvelously hyperreal young lad to be seen in the Louisiana sweet porto (sic) rican potatoes yam crate cover that here follows:



Originally archived at the amazing boxofapples.com, said human facsimile, produced with Warholesque, pre-photoshop™, gaudy contrasts, presents to the unaware, unassuming consumer a boggling face that delights even as it haunts.

Monday, April 30, 2007

Lisa Tremaine, Book Designer Extraordinaire!


The book designer at The University of Texas Press responsible for the unique look and feel of Tex[t]-Mex: Seductive Hallucination of the "Mexican" in America is a genius named Lisa Tremaine. Like some graphic fusion of Man Ray, David Siqueiros, and Meret Oppenheim, this gifted semiotic diva took up the challenge of my "mess" of a manuscript and came up with a book that deserves to win design awards--of course, some might say I am biased in this regard, to which I respond hush!

In graduate school Avital Ronell's Telephone Book set the standard for progressive, visionary bookmaking from the academy. With Tremaine's work on Tex[t]-Mex, perhaps said volume has earned the right to sit alongside that amazing project.

UTPress recently put up a gallery that hightlights the 16-page color signature inside the hardback and paperback editions of Tex[t]-Mex. A sample, by artist Guillermo Nericcio García appears above.

Sunday, April 29, 2007

Tortilla Chip Hawking Ethnic Mannequins | The Frito Bandito


He's even a dim memory for us forty-somethings valiantly staving off assaults of incipient Alzheimer's, but back in the day, Frito-Lay corporation's Frito Bandito was the cock of the walk when it came to corporate animated spokespeople--the Trix rabbit, Lucky Charms leprechaun and Uniroyal Tiger (nightmarish rogue), have nothing on this avatar of "Mexicanicity." For an oldie but a goodie, look up Chon Noriega's piece on the Frito Bandito for the San Diego Latino Film Festival back in 1987. A fan site on Mr. Bandito is here.

Here is the first Frito Bandito commercial; a second variation follows, with Mel Blanc doing the vocal honors; the Bandito commercials were developed by Isadore "Friz" Freleng of Speedy Gonzales fame.





A brief reading of the Frito Bandito appears in Seductive Hallucination Gallery Two in my UTPress Tex[t]-Mex volume on Mexican stereotypes in American mass culture.

LaBloga Hosts Cool Interview with Gustavo Arellano


SoCal's own loco mouthpiece, Gustavo Arellano, holds forth in an interview with daring and dashing Chicano scribe Daniel Olivas at labloga.blogspot.com

Put that mouse to work here for the link!

Friday, April 27, 2007

William Severino Nericcio versus the Cyclops, Ken Burns, PBS-diva!

The first iteration of this post appeared on March 31, 2007


FOURTH UPDATE

Victory! If the LA TIMES server bars entry, there's a permalink image of the story floating there above these lines.

THIRD UPDATE
Alternet chips in its two-cents worth on the story.

SECOND UPDATE
Lalo Alcaraz lets his views be known on the Ken Burns versus Mexican American Vets controversy


FIRST UPDATE

The San Diego Union Tribune has weighed in with a story that focuses on the work being done by my retired colleague and veteran, Gus Chavez, on behalf of all erased Mexican American soldiers.

ORIGINAL POST 3/20/07


The shit is just starting to hit the fan over PBS-Fellini Ken Burn's documentary on World War II and his slight, tiny, little, unimportant (irony!) error in not including ANY narratives regarding the service and the casualties of Mexican Americans in the "Big One." My father, Mexican American guapo, William Severino Nericcio was in on the second wave at Omaha Beach in Normandy during the D-Day invasion of the continent. He was a mortarman serving as part of the "Blue and Gray," the 29th Division; in the days and weeks that followed he was wounded twice and received two purple hearts (in one of these attacks in France a couple of days after the invasion, he was chased by a Panzer tank hiding in a field and took serious shrapnel wounds to his shoulder and thighs). I include his photo here of my father, circa 1941, in tribute to his bravery and as a tiny semiotic rejoinder to the Chicano-less myopia of Cyclops Ken Burns.


Other good posts on this PBSelision of Chicanos appear here and here.


Final Postscript




My Father, William Nericcio, died at the age of 86 last Saturday, April 21, 2007. RIP. Here is the text from my eulogy:


Two very beautiful things happened to me in the last few months—I published my first book and I was elected the Chair of the English Department at San Diego State University. One of them my father knew about as best he could, the other I did not get the chance to tell him.

A World War II hero and survivor, he was locked in war he could not win, struggling as he did against that monster disease Alzheimer’s, which, in its own way is as formidable a monster as Cancer, or even more a monster, owing to its insidious logic—…

Alzheimer’s takes your loved ones away from you but leaves them behind in body to haunt you with the memory of what they once were—it’s Daddy, but it’s not Daddy; it’s my father, but it’s also, oddly not my father, nothing like my father, the imposter of my father.

For Alzheimer’s attacks memory and if there is anything my father could do, it was remember—he remembered every address in the city of Laredo as a postal clerk; he remembered every moment of his work and suffering in France and Germany and then decided to wall that memory of World War II inside him forever, lest the cancer of the memory of that violence infect his family in Laredo and now, his children’s families in San Diego, California; Los Angeles, California; Austin, Texas; and Laredo, Texas.

So Alzheimer’s attacked this formidable memory, this superpower that he had, and in doing so, erased the memories of fetid war, erased some memories he had of Laredo, of 1609 Hendricks, even, at times, of his children and wife, but even this formidable monster was NEVER able to erase his memory of his beloved mother Anna, his beloved grandfather, Papa Pancho, Francisco Juarez, nor of his Grandmother, the Matriarch, Mama Carlota who lived on forever in his imagination as the beloved benefactor of himself and his brother Frank, and of Anna, his mother, my grandmother, to whom I owe the debt of reading.

So he knew about my book and I will not have had the chance to tell him about being elected English Chair.

Both things happen only because of his work and his love—the work, love, and sacrifice as well of Trinidad Nericcio, my mother, and my father’s companion for better and for worse for over half a century. William Nericcio, my father, worked overtime every week of his life for the U.S. Postal Service—because of this sacrifice Josie, and Mary Anne and I have 8 University Degrees between us—Mary Anne holds a BA, MA, and PhD from the University of Texas; Josie has TWO BA degress from the University of Texas in Advertising and Film, and you might have seen her name recently in the credits of a little film called Dreamgirls. And I have a BA from the University of Texas and a MA and PHD from Cornell University from upstate New York.

None of this happens without Daddy’s work, his wit, his vision, his love for education, for knowledge, for comedy, for everything. His was a voracious but unselfish drive for knowledge—because he lived content to travel the world through the achievements of his children.

In a few minutes we will bury our father, our cousin, our grandfather, our co-worker, our beloved, our friend, but we can honor this amazing man, my father, and defy Death, that rogue fiend, by never allowing the soil to erase, never allowing the days and weeks that follow to eliminate the living memory of this beautiful man, this loving, emotional father, my Daddy, to whom I owe my life and for whom I speak today, Tuesday, April 24, 2007.

Saturday, April 21, 2007

Stop the Presses! Speedy Gonzales Sighting at Celeb Website

You know a "Mexican" stereotype hall of fame star is ready for his closeup again when he starts making appearances in celebrity blogs more famous for upskirt shots of Britney Spears, Mischa Barton, Lindsay Lohan, and Paris Hilton. And so it is that the star of chapter three of Tex[t]-Mex now finds himself on the front page of the unfortunately-named, if not utterly repugnant, Hollywood Tuna posing with Kristin Cavallari.

Get your hands on one of my books ...