There are high-resolution scans of the fashion spread
here (other versions are
here). The most curious image for the purposes of
Eyegiene is the one above. It is a montage of three shots of Eva, as "patient," "doctor/cinematographer (16mm, no less)/voyeur," and gurney attendant. Most of
Tex[t]-Mex: Seductive Hallucination of the "Mexican" in America was a meditation on the history, consequences, and legacy of Mexican figuration in the mass media--Ruven Afanador, an illustrious fashion photographer from Bogotá, Colombia, has, with his brilliant lens and his equally compelling Mexican-American model/actress, said all I said there, and all I can hope to say in my next volume,
Eyegiene, with a few snaps of his camera and maybe a quick session with photoshop.
![The Tex[t]-Mex Galleryblog](http://1.bp.blogspot.com/-Q5_7HsNV-rU/UzxmksVIYBI/AAAAAAAAExM/L9vTZLDfzdU/s1600/111Screen%2Bshot%2B2014-04-01%2Bat%2B10.jpg)
There are high-resolution scans of the fashion spread here (other versions are here). The most curious image for the purposes of Eyegiene is the one above. It is a montage of three shots of Eva, as "patient," "doctor/cinematographer (16mm, no less)/voyeur," and gurney attendant. Most of Tex[t]-Mex: Seductive Hallucination of the "Mexican" in America was a meditation on the history, consequences, and legacy of Mexican figuration in the mass media--Ruven Afanador, an illustrious fashion photographer from Bogotá, Colombia, has, with his brilliant lens and his equally compelling Mexican-American model/actress, said all I said there, and all I can hope to say in my next volume, Eyegiene, with a few snaps of his camera and maybe a quick session with photoshop.
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